Say hello

Of all the benefits of working so closely with the IdeaFestival, meeting and talking with the incredibly talented people who agree to participate in the festival is the most satisfying. Chatting last year on a couple of occasions with the eremitic and elfin Daniel Tammet was for me a particular thrill.

Over the years, many journalists and bloggers have spent the better part of a week attending and writing about the IdeaFestival. Ethan Zuckerman and Evgeny Morozov spring to mind. Last year, the festival welcomed Molly Wood, Brendan Greeley, Ellen McGirt and, of course, Arnold Garson of the Louisville Courier-Journal.

For 2011, we're thrilled that Renee Blodgett of Weblogtheworld.com, Oxford American, Baratunde Thurston, who is the digital editor of The Onion, Radio Green Talk's Diana Dehm, Longform.org's Max Linsky, Brain Pickings' Maria Popova and CC Chapman (and Twitter) have decided to check out the nerdocalypse. Oh, and Philippe Petit's biggest fan, Ellen McGirt, will also return. Watch this IF Conversation featuring her.

If you love sharp social commentary - The Onion gets to the point faster and more perceptively than any cable news anchor - or just go weak in the knees before driven and liquid phrasing - many Longform.org essays go straight to my Kindle - or believe, as we do, that diversity is a strategic asset - Brain Pickings! - please check out their web sites and Twitter time lines. And if you see any of them in Louisville, do say hello and let them know you're happy to make their acquaintance. If you're blogging about the festival and I haven't mentioned you, please look me up so that we can link to you.

Twitter users, please follow @ideafestival - and use the #IF11 hash while writing about the festival this year. 

In the picture above snapped by Wondaland last year, two "tightrope" artists, Philippe Petit and Janelle Monae, meet early in IdeaFestival week. He later attended her Wednesday performance, which was just surreal.

Two weeks to IdeaFestival 2011!

Wayne

Walking away from it all

Attribution Some rights reserved by woodleywonderworks

"Winners never quit and quitters never win." - Vincent Thomas "Vince" Lombardi

With apologies to the late great coach, it's sometimes better to just walk away. That's what IdeaFestival 2011 participant Don Steward did, leaving behind a surgical internship at the Mayo Clinic to create a different future.

When is it all right to quit? Most would look in his case at what is being given up instead of what might be gained, particularly when it comes to the prestige of being a doctor and all the skill, dedication and sacrifice that entails. But only the person making that decision can know for sure, and like any judgement call, it's hard to know in the moment whether it will be the right one years in the future. There isn't always certainty.

For some it will be the knowledge that it's no longer satisfying, or that a mistake had been made, or, in Don's case, that medicine can't be that future. For others, it will be the realization that this life is their own, and that it's time to get on with things.

So when is it acceptable to quit? It's acceptable to quit when you say it is.

Don will participate in the Friday morning "mash up" available to all-access pass holders, speakers and sponsors. While there will be plenty of discussion about "breakthrough thinking, inspiration and creative ideas," I hope that stories of quitting time will make their way into the discussion. Join us.

If you're reading this on the front page of the web site, my story of quitting can be found after the jump.

Wayne

Three years ago in a fit of exquisite timing I left a full time job with some pretty sweet benefits to start my own business. The IdeaFestival was my first client. At the time, I had learned from long exposure to information technology professionals that we were all publishers. One constant complaint in the rather large networks they managed revolved around the unauthorized use of those resources - given the means and opportunity, people did a lot of talking, and some of it not at all welcome. Well, that was just perfect. I had some things to say.

About that time, I had the good fortune to meet Kris Kimel, who founded the festival, and I explained that it might also want to talk out loud about ideas and their importance, its core purpose. And even though I'm sure he didn't quite understand this blogging business, to his credit he agreed.

In truth, there are people who understand social media far better than me, who know how to search-engine optimize digital nits down to the last file and meta-ID, who can program a web site to reach out and grab people by their Google-ad loving throat. I'm not one of them.

Nebbish and nerdy, and irony of ironies, not someone known to talk much at all - what I wanted more than anything was to be involved with an event where all kinds of people celebrated all kinds of things interesting and new. We introverts stoke internal fires.

And as the son of a pastor who has lived in quite a few different places from Louisiana to Minnesota, Kentucky is my home now. It's a place that I've come to appreciate over the years. It once was the first frontier, known for an expansiveness of thought, the belief that over mountains and in fog-shrouded valleys on the Cumberland plateau, there was a new beginning. Descending the gap and buoyed on the Ohio, these visionaries and technologists built kilns and furnaces, they stacked trees, one over the other, to build walls to keep the cold at bay. The wrote letters to the public in Boston and Philadelphia.

Today, I often wonder whether its descendants know that engineers are inspired by birds to design flocks of machines, or really believe that the next step will not be the last - never mind whether that belief calls on the extra-natural or not - or that our self-aware biology is still one gaping, breath-taking mystery to philosophers and biologists alike, or that 500 other worlds and counting orbit stars far distant the yellow dwarf we know so well. Do they know that golden ages lie ahead? Do they know that doughty robots have sighted fountains near Saturn, or that oceans may spread across the deep below Enceladus or Europa, and that life clings to sulfur vents in the crushing depths of our own oceans, or that lately, some think that life may loiter in the thick orange atmosphere of Titan?

Similarly, do people outside Kentucky know about the contentment found in fitting seashell-printed limestone wedged from soil inches deep? Do they know that these sturdy mortarless walls still line fields in the bluegrass with nought but gravity for an assist, the same implacable force studied by physicists? Do they understand that story and music runs thick as a washed July night in the highlands, because, far from the conventions of Boston and Philadelphia and safe in their redoubts, of course the explorers would send up sound and story? It's the normal respiration of any society able to recognize its good fortune.

Sadly, for many people the future lately has been one epistolary punch to the gut after another. Science makes its best always-subject-to-revision effort to describe reality, and much too often ordinary people will lodge their complaints against it before beating a retreat in this wired, wired world to whatever and whomever will offer solace. And the art! Can't the meaning be clear? It's all just so much to digest, these changes.

I've learned from many people at the IdeaFestival. From Nassim Nicholas Taleb, I learned history will occasionally deliver overwhelming news from the clear blue. It just happens. I learned from Jane McGonigal that games can be used to make a better reality rather than as a means of escape. I learned from Teller that knowing secrets behind the curtain didn't diminish the joy of staring slack jawed at dancing golden spheres. I learned from Burt Rutan that with supreme imagination and damn-the-critics determination, we can trip to space in safety and return in comfort. Someday, I'll do that. The elfin and poised Daniel Tammet argued during the most recent IdeaFestival that when we think in similes and puns, we're thinking not unlike a savant. I learned that his prodigious mathematical and language abilities are not so far removed from yours or mine.

I learned that there isn't a mind to waste, that when these discontented, these explorers, these westward movers describe new truths, their language and song never reference a single unchanging reality. It's not because I think what's real is unknowable. On the contrary: it's because what's real is pretty friggin' big. We ought to be humbled. I've learned, most importantly, that it's not an "either, or" after all. It's a "this too."

"Ideas Matter" coursework built around the festival

Psychology professor at the University of Kentucky, Phil Kraemer, has launched a new course entitled “Ideas Matter,” built around the IdeaFestival. The goal of this semester long course, during which students will attend the IdeaFestival, is to challenge students to think about and understand: (1) what we mean by ‘an idea’, (2) where ideas come from and how they can be recombined and evolve and (3) how ideas can shape and transform the actions of individuals, organizations, businesses and countries.

Students will also consider the dynamics of breakthrough ideas and the concept and psychology of innovation. Contact Phil Kraemer for additional information.

Wayne

The answers out there? Mulder never imagined this.

Mere weeks into a five-year long journey to Jupiter, the spacecraft Juno gazes back at Earth and its lunar companion.

Think about the image for a moment. Moving at 24,000 miles an hour, it took three full days for the Apollo astronauts to leap between worlds.

On Monday, September 22, sponsors, speakers and All-Access Pass holders are invited to attend a special mash-up session presented by the chief scientist for the International Space Station Dr. Julie Robinson, who, along with two Kentucky Space engineers, will describe for you how life scientists are exploiting the laboratory facilities on the ISS to do life changing work.

As it turns out removing gravity - one of the four forces responsible for all life - from the biological equation changes the course of living tissue, cells and genes. How and why those changes occur may lead to therapies for diseases on Earth.

I don't think Mulder ever had this in mind.

Wayne

Image credit: NASA/JPL-Caltech/SwR

Yes! Yes! Yes!

Thinking yesterday about what I might write today, I ran across a couple of posts, one from Daniel Goleman and the other from Jonah Lehrer -- Lehrer participated in IdeaFestival 2008, by the way -- about "a-ha" moments, a specialty of the IdeaFestival. If you have a curious mind and have been to the festival, you know what I mean: even if you don't smoke, your post-coupled brain may require a cigarette.

In a video, Goleman describes a process that begins with the right question, continues into a period of information gathering and culminates, counterintuitively, in period of relaxed, rather than focused, attention, a lingering he believes that precedes insight.

For his part Lehrer writes about anger and creativity, saying, surprisingly, that it may be a contributor to the creative act, and uses Apple's "brutally critical" culture for his example. I guess Steve Jobs' famous temper has moved more than one person to action. The problem is that that sort of creative thinking tends to decline rapidly, according to Lehrer, and it's not hard to imagine why.

One can easily hear team members furtively asking, "Is he gone? Good." 

The two blog posts resonated with me because I've always believed if we all could just forget the answers we've memorized, the world would be a better place. The questions we might ask about experience would be less rhetorical, more original and interested in what the other person is saying. Given our poisoned political atmosphere and the faux-reporting of cable news networks, this time and place desperately needs better questions. The other person may actually have something to say.  

Goleman's and Lehrer's posts also reminded me of something I had written earlier this year, "A Ceasing," about insight and stage-setting. It's reproduced below.

All-access and single event passes are now available through the IdeaFestival web site. I hope to see you there.

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Linked recently via the IdeaFestival Facebook page, Paddy Harrington pointed out that "No process guarantees insight, but plenty set the stage for its arrival." I think this is true in a couple of ways.

If the creative stage is pre-verbal, intuitive and emotional, then obligations that require our calculated attention pull us away from the possibilities coded in limb and experience. In the IdeaFestival Conversation posted earlier this week, Stefan Sagmeister talked about the need to regularly put aside the helter skelter, not to escape but to recharge. While most of us, me included unless something truly extraordinary happens, won't have the opportunity to spend years away from work and the family obligation to turn that work into pay, his point remains.

Rest.

The word "sabbatical" comes from the Latin sabbaticus, from the Greek sabbatikos and from the Hebrew word shabbat, which means "a ceasing." Observation, empathy, imaging - these creative acts depend on a ceasing from mere ogling, from self-preoccupation, from the bottom line logic of the family or business bank account so that we may fully say what it is in each of us to say.

So when I send see-through ribbons of sycamore above a finely tuned jack plane, or listen to a nearby pond throb with the rosined vibrato of frogs, or read contentedly late into the night when my family is sleeping, I'm not just doing those things. I'm stage-setting. I'm reveling in the fact that there is more to my life then deadlines and torrents of email.

In that quiescence, everything is possible. The manic self that answers the phone (and sometimes doesn't) no longer has first chair in the dirge happening in my pre-frontal cortex. And invariably, that expansiveness makes its way to my body. The heart and chest respire, attending in their own way to heaven knows what, and once in a while I unexpectedly catch my breath, sitting a little straighter.

Oh, so that's it.

Wayne