Founded in 2000, the IdeaFestival (IF) is a world-class event that attracts leading global innovators and thinkers to discuss and celebrate imagination, new perspectives and transformational ideas.

The IdeaFestival provides a unique stage to explore the cross-cutting nature of innovation involving a range of diverse disciplines, while supplying the creative tools needed to “see,” synthesize and apply this knowledge in new, dynamic ways.

Their sojourn now interrupted by slow letters home, the twin Voyagers, entering the interstellar medium some 33 years and 15 billion miles after departing Earth, travel mutely towards Eden and the unknown. But as Dennis Overbye writes in a review of the book "Flyby," these doughty ships sail under a different banner. This time - perhaps for the first time - the explorers and the conquests are different, and rather than laying claim to distant shore, the twins take us "metaphorically home."

This is beautiful.

This book blooms with such glorious rushes of exalted prose that I was dog-earing almost every page until I gave up. Contrasting the mission with human explorations from earlier eras, for example, Pyne writes that Voyager was 'a modernist machine loosed onto the cosmos. The Voyagers would not be blinded by gold or the mirage of fame. They would not abandon wife or child, or enslave unwary indigenes. They could not despair, could not be crippled by loneliness, could not fight for the cross or suffer for science, would not know epiphanies or endure tropical fevers. They would lay no claims, issue no proclamations of sovereignty, raise no toasts to king or republic, sign no treaties of trade or military alliance, nor send out reconnaissance parties to lay out routes for folk migration. . . . The Voyagers confronted no Other, or even life.'

Wayne

Being wrong can feel like that, can't it?

But the capacity to err is inseperable from our imaginations, according to a review of the new book, "Being Wrong: Adventures in the Margin of Error." The Guardian:

What is most cherishable about this bumper book of other people's booboos is its insistence that to experience error is, at its best, to find adventure – and even contentment. Schulz takes as her model Don Quixote, the knight-errant who was wrong about almost everything. 'Countless studies have shown that people who suffer from depression have more accurate world views than non-depressed people,' she points out.

But Schulz is hardly counselling that we choose to be wrong. That would be a contradiction: error is like happiness, perhaps, in that we can only stumble across it rather than seek it out. Instead she proposes that once we find ourselves in the wrong, we should be optimistic. To be wrong, after all, is to depart from the facts into creativity, to become artists in our own lives. Error may feel like despair, but it is more akin to hope: 'We get things wrong because we have an enduring confidence in our own minds; and we face up to that wrongness in the faith that, having learned something, we will get it right next time.'

Wayne

Image: NASA Goddard Photo and Video

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