The great physicist Niels Bohr ultimately believed that the classical model of an atom, the kind whose inner space functioned like a miniature solar system, was wrong. Seed Magazine:
Bohr's discerning conviction was that the invisible world of the electron was essentially a cubist world. By 1923, de Broglie had already determined that electrons could exist as either particles or waves. What Bohr maintained was that the form they took depended on how you looked at them. Their very nature was a consequence of our observation. This meant that electrons weren't like little planets at all. Instead, they were like one of Picasso's deconstructed guitars, a blur of brushstrokes that only made sense once you stared at it. The art that looked so strange was actually telling the truth.
Could the future of science be art? Seed explains.